Globalization

Surrogates series

Russia

2017

Oil on canvas, gilding

100x100 cm

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Artist about this artwork The painting takes a satirical dive into the complexities of modern reality, particularly spotlighting the concept of globalization in contemporary society. Within the painting, the renowned Statue of Liberty is portrayed, albeit in a peculiar context as a commodity available for purchase as a souvenir.
Across from this iconic figure stands a statuette of the Egyptian deity Min, a deity associated with fertility and revered as the guardian of traveling caravans.
In ancient Egyptian mythology, Min's origins trace back to pre-dynastic times. Initially, he personified the sky and represented the constellation Orion, but his worship extended to regions such as Koptos, Ombos, Hemmis, and Nubia. As Coptos flourished, Min evolved to become the patron god of trade, deserts, and caravans. He safeguarded caravans traversing from Koptos to the Red Sea, assuming the role of protector for merchants, pilgrims, nomads, and hunters. Furthermore, Min garnered reverence from miners and quarry workers.
The Statue of Liberty, emblematic of the new world, towers above the deity embodying the ancient world. Despite this juxtaposition, distinct gender disparities are evident in both statues. This duality not only signifies the contrast between the ancient and the contemporary, but also underscores the ongoing interplay of gender dynamics.