Vyacheslav Mizin and Alexander Shaburov, two innovative Russian artists, collaborated to form the avant-garde The Blue Noses art group. Known for their exploratory art style, they blend elements of social commentary, humor, and performative art.

Born in 1962, Vyacheslav Mizin began his artistic career following his architectural studies at the Novosibirsk Engineering and Construction Institute. His initial forays into the art world were heavily influenced by the "paper architects" movement, incorporating graphic design, video art, and performance. Alexander Shaburov, born in 1965, refined his artistic skills at the Sverdlovsk Art College and subsequently joined the Union of Artists of the Russian Federation. His diverse background also includes roles as a writer, director, and producer, enriching the art scene with his multifaceted contributions.

The formation of The Blue Noses art groupin 1999 in Novosibirsk marked a pivotal moment for Mizin and Shaburov, uniting their creative visions. They pioneered a novel art movement, which they termed "Siberian Ironic Conceptualism," characterized by its unique amalgamation of video, photography, and performance to generate socially resonant and politically charged artworks.

Mizin and Shaburov’s unique approach and creative experiments have attracted international acclaim, notably through their participation in major exhibitions like the Venice and Moscow Biennales of Contemporary Art. Their work, known for its daring exploration of form and substance, often ignites debate within the art community.

In recent years, Vyacheslav Mizin has shifted his focus to curatorial endeavors, while Alexander Shaburov continues to make waves as an artist and cultural activist, maintaining a prominent role in the arts scene. Both have been lauded with numerous accolades for their significant impact on contemporary art and remain influential figures, inspiring emerging artists with their unconventional methods and dynamic artistic expression.